Daily Archives: August 8, 2016

The New Content Of Final Fantasy Xiv

Graphics and fiction are not so much new, which improved as compared to the proven rule used by Square Enix. In short, the job system based on tokens, both in FFXI as well as FFXIV, is so unique that it allows you to change character classes at any time during the game. It is true that every profession, you start from level 1, but thanks to keep the specific skills of his previous profession and practice effectively creates its own class.

In FFXIV is done by changing the weapons: a sword and you’re ekwipujesz gladiator, the arc – and you’re an archer. The more time waving his sword in battle, the better you become at it and with the next level you gain new skills. Similarly, if you prefer to use the crafting game, just grab a pick and get away a stone to beat. It seems simple, but in its entirety is quite complex system, and at eighteen professions available to multi-classing is fast becoming a habit, which is difficult to break.

That was the GOOD NEWS …
In this regard FFXIV success. Square Enix took the best features from previous titles of the series and it effectively improved. But you know what, it’s the same in the MMO FFXI. Functions were also used, by which I stopped playing the title character from the FF, such as jednooprzyciskowy combat system, sophisticated controls and frustrating interface.

It should be stressed however, that the combat system was much improved znaczym compared with that of FFXI, but the struggle is still consists of pressing the one button and bezsensowanego jump from side to side in anticipation of this until your character will attack. We also have traditional quests ‘kill X of objects Y’, which often require the escape through areas full of monsters, we could settle with a single blow. As for steering, you do not have full control over the form, even with the connected gamepad, and the menu navigation is like a little bit like slipping on ice.

As for me, I think that MMO FFXIV is incomplete. Hardware is demanding, expensive and not particularly sophisticated, but it is wonderful, fresh and innovative. I was hoping that Square Enix will use these 8 years, which separates two consecutive series FF titles, to improve the interface and control, unfortunately, disappointed. Instead, the studio opted for a solution straight from the console, and when next year comes FXIV version of the PS3, we’ll see whether it was the right decision. So far the game has no rivals when it comes to dazzling graphics and innovative gameplay. Unfortunately, this puts a shadow on the obvious lack of refinement of detail and lack of intuitiveness. If you think you can handle it, go ahead. The decision is yours. But if you watch every penny issued, then before you spend money, you may wait and see if you are even the announcement of change for the better?

More information on ffxiv gil

The Phantom Of The Opera New York Tickets – Phantom Welcomes Two

Andrew Lloyd Webber’s The Phantom of the Opera is the longest-running show on Broadway, and even decades after it first debuted, the demand for The Phantom of the Opera New York tickets is still as high as ever. Because of its staying power, the cast of The Phantom of the Opera tends to change from time to time as stars move on to different projects and old stars return. The Broadway version is set to welcome back to stars familiar with the musical in December.

On Dec. 6, Liz McCartney and Sean MacLaughlin will be joining the show as Carlotta and Raoul, respectively. They will be replacing Patricia Phillips and Ryan Silverman, who will both finish their run with The Phantom of the Opera on Dec. 4. Phillips Played Carlotta since 2003, while Silverman has played Raoul since April 2009.

Both McCartney and MacLaughlin are familiar with the roles. McCartney took the role of Carlotta more than a decade ago, when she performed from June 1999 to April 2001. She was also part of the ensemble in 1999 before taking the role of Carlotta. MacLaughlin is familiar with the role of Raoul, as he had the role in the touring production of The Phantom of the Opera. He started with the touring production as part of the ensemble in June of 2007. In February of 2009, he became Raoul, continuing in that role until the tour’s closing in October of 2010.

McCartney is one of Broadway’s veterans, and she has starred in many of the classic shows on Broadway. She played Rosie in Mamma Mia, Miss Flannery in Thoroughly Modern Millie (the final production), Madame Thenardier in Les Miserables, among other roles. She also originated the role of Sue Tilley in TABOO and Rebecca in Dance of the Vampires. Her regional credits include shows like Into the Woods, Fifty Million Frenchman, Paint Your Wagon, A Vision, Carols for a Cure and more. McCartney has also appeared on television on shows like Law and Order SVU and Saturday Night Live.

MacLaughlin also has extensive experience on Broadway. He has appeared in The Woman in White (also by Andrew Lloyd Webber), Bombay Dreams and Lestat (an Elton John creation). His Off-Broadway credits include The Audiences and Requiem for William. Regionally, he has performed in shows like Merrily We Roll Along and Tom Sawyer.

Joining MacLaughlin and McCartney in the Broadway cast of The Phantom of the Opera are Hugh Panaro as The Phantom, Sara Jean Ford as Christine, George Lee Andrews as Monsieur Andre, David Cryer as Monsieur Firmin, Cristin J. Hubbard as Madam Giry and others.

The Phantom of the Opera is based on the French novel by Gaston Leroux. Andrew Lloyd Webber’s version of the story first debuted in the 1980s, and it won seven Tony Awards in its first season on Broadway in 1988. Many of the songs from The Phantom of the Opera have since become classics like “The Music of the Night,” “Masquerade” and “The Phantom of the Opera.”

This article was sponsored by StubHub.com. StubHub sells sports tickets, concert tickets, theater tickets and other event tickets. Go to StubHub.com for The Phantom of the Opera New York tickets.